How’d You Get That Picture? Bob Martin’s Glorious Sports Photography
Bob Martin is an award-winning sports photographer who’s shot every major sporting event on the planet, from the last 13 Summer and Winter Olympics to elephant polo and horse racing on ice. His photographs have been published in Sports Illustrated, Time, Life Magazine and The New York Times, among many other places, and he’s received more than 60 prestigious awards, including British Sports Photographer of the Year (three times!) and the World Press Photo Sports Picture of the Year. Now he’s a consultant for the International Olympic Committee and the Rio 2016 Olympics, and the author of 1/1000th: The Sports Photography of Bob Martin. Here’s a look at his stunning work and the story of one particularly great photo.
I have covered every Olympic Games since 1984, which means I have shot 15 games in freezing blizzards and oppressive heat. There is nothing like the Olympics and they provide the opportunity to make pictures that are so completely different from what most sports photographers do on a weekly basis. There are enough different events in the track and field alone to produce a book. There is no safety net during the 15 days; no chance to redo a picture, no chance to find the “right” position after it’s over, no chance to reshoot in the right light if you are stuck with an overcast day or a terrible background.
My approach to the Olympics has evolved over the years. I started out on the finish line making wire service pictures for Allsport. When I then moved to Sports Illustrated in 1994, I made an effort to leave pack photojournalism behind. I went to the more unusual Olympic events like equestrian and road cycling where I could try to find and show a sense of place in my pictures. Rather than sit at the finish line, I chased the light at the track and would set up all alone on the third turn where I might get lucky and hopefully a American may drop their baton in the relay! I went to the “up” positions and the high-risk, high-reward places where few photographers roamed. I concentrated on the tears and cheers aspect of the athletes. I wanted to make iconic, signature pictures that would be used as double trucks in magazines.
This picture was shot during the 2013 World Swimming Championships in Barcelona and is one of my favorites in the book I’ve just completed, 1/1000th, produced by Vision Sports publishing. It is of the Russian synchronized swimming team that won the gold medal in the team final.
Synchronized swimming can often make good pictures, especially when outside in the sunshine. However, in Barcelona this time it was indoors…I presumed I was doomed and was struggling to find an interesting idea or way to shoot. Luckily, I noticed during qualification heats, the TV crews turned on their interview lights at the side of the pool for the last few competitors. I found one angle where the TV lights backlit the swimmers against a rather good, dark backdrop. I managed, for once, to avoid the advertisements all around the pool. However, it necessitated lying on my oversized belly in the corner of the pool in an unfortunately damp position.
As the competition came to a climax yet more of the TV crews put on their interview lights which further accentuated the backlighting which was a good thing at least for me! The favorites, the Russians, were going last. They were in a class apart from the rest so it all came together and their performance produced this one incredible frame.
Camera: Nikon D4
Lens: Nikon 300mm
Shutter Speed: 1/1600th of a second
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